“When dragons fly to battle,” Rhaenyra cautions her husband, Prince Daemon, “every thing burns.”
All through the season finale, solely the newly topped queen alone appears to grasp the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a battle in contrast to something it’s ever recognized. In opposition to the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike damaging energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an incredible subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future duties to their expression of mingled loss and hope at receiving proof of Alicent’s continued love within the type of a childhood memento. Peace holds the promise of affection, of youngsters, of honoring her father’s peaceable legacy and perception within the Conqueror’s Dream. Warfare dangers all.
But the world, as Rhaenyra tells her center baby, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous not to consider it as an omen of issues to come back, a shadow solid by all of the innocents whose lives a battle between the rival monarchs would undoubtedly reduce quick. The battle additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness together with his late brother, the king. The scene during which Daemon assaults his queen is without doubt one of the season’s most upsetting, a showcase for Matt Smith’s capability to concurrently seethe and dissociate from his environment. It’s an unsightly distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.
Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s colour grading is among the many collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to instantly affiliate the Targaryens with their dragon by way of suave framing and intercutting. Throughout Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy together with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ large head fills the body behind him, a scene echoed by a later sequence during which Daemon rouses the traditional dragon Vermithor and the 2 seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.
The episode’s visible language asks us to contemplate who precisely is looking the photographs right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, just like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their whole lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless recreation of rooster, activate each other is a gut-wrenching sight, and Yaitanes builds rigidity throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of pace. When the ultimate explosion of blood and gore hits residence it’s nearly a aid, till you begin to consider what comes subsequent.
Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds within the area of an prompt, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any sort of rekindling of her reference to Alicent. On the similar time she’s gained bannermen, the essential assist of Home Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ loss of life, marching to battle has develop into rather more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to come back than any prophetic dream or lofty speech concerning the good of the realm. All through the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. However what lies ready underneath Dragonstone, its ragged wings furled at midnight, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes whilst he shines in its personal?
We all know what’s coming. Vengeance. Justice. Hearth and blood.