Final week’s episode of The Final of Us was maybe the present at its most bleak and devastating. Fortunately, episode six, entitled “Kin,” affords us a little bit of a tonal reprieve, with sufficient scenes of hope and chance for all times within the post-cordyceps world to remind us that it’s nonetheless doable to carve out lives price dwelling. That’s to not say that it lacks for emotional impression, nonetheless. Quite the opposite, it comprises the scene that arguably serves because the crux for the emotional journey that Joel and Ellie go on collectively, and it represents the present at its most devoted to the sport that impressed it, recreating the scene beat for beat and virtually phrase for phrase. It’s a superb factor, too, because it’s a kind of moments that works so effectively within the recreation that it’s greatest left alone. Nonetheless, the episode additionally departs from the sport in a variety of key methods, making it a very attention-grabbing one to match and distinction with Naughty Canine’s unique model of the story.
Marlon and Florence
The episode begins by briefly making us re-witness the horrible tragedy that ended episode 5. From there, it’s THREE MONTHS LATER, and a panorama lined in snow. Curiously, the occasions of this episode correspond to the sport’s fall chapter, however the present transplants them to winter. A person is bringing white rabbits he’s killed again to a cabin, maybe a nod to the scene that opens the sport’s winter part, wherein a white rabbit emerges from a mound of snow solely to be pierced by certainly one of Ellie’s arrows.
At first, I puzzled if this could be Joel, pondering possibly he and Ellie had discovered a spot to attend out the harshness of winter. However no, it’s another person, a person named Marlon, and as he enters the cabin, we see his face: it’s the nice actor Graham Greene. Maybe greatest recognized for his efficiency in Dances with Wolves, Greene is a kind of actors who I at all times felt deserved a extra strong and distinguished profession. Sadly his function right here is small, however he makes essentially the most of his display time.
Ready for him within the cabin is a lady named Florence (performed by the also-fantastic Elaine Miles of Northern Publicity), who tries to inform Marlon one thing along with her eyes. (Neither Marlon nor Florence’s names are spoken within the present, however HBO has revealed them in casting bulletins.) As he units down his bow and takes off his coat, Joel makes his presence recognized, stepping out with a gun and telling the person to do away with his. However what makes this scene a pleasure is the best way that neither of the cabin’s residents appear all that shaken by Joel’s presence. It’s only one thing more for the 2 of them to bicker over.
It’s virtually comedic, how unaffected they’re by Joel’s efforts to be a reasonably intimidating interrogator. When Joel says he’s on the lookout for his brother, Marlon instantly says “Properly, I ain’t seen him.” When Joel asks him to level out the place they’re on a map, he says “If you happen to’ve acquired a map, why are you misplaced?” When Ellie, hiding out above, asks if she will come down, Joel says no however she does it anyway, prompting Florence to take a look at Marlon and chuckle. Yep, Joel doesn’t precisely have nice management of the scenario, however these are first rate folks.
My favourite second on this scene comes when Joel tells Marlon that he’s discovered an important place to cover. Marlon says he’s been there since earlier than Joel was born, that he got here there to “get the hell away from everyone,” to which Florence volunteers that she didn’t wish to, and Marlon sighs and waves his hand dismissively at her. You get a way of the understanding these two have of one another, having shared a lifetime collectively. They’ve nice “outdated married couple” vibes, and after the bleakness of final week’s episode, it’s a welcome reminder that there are nonetheless folks, right here and there, dwelling lives of affection and that means.
They depart Joel and Ellie with a way of foreboding, nonetheless, portray an image of close by cities swarming with contaminated, and when requested for recommendation on one of the simplest ways west, Marlon says “go east.” Specifically, he warns Joel and Ellie to not go previous a close-by river. “We by no means seen who’s on the market, however we seen the our bodies they depart behind,” Florence says. “In case your brother’s west of the river, he’s gone.”
A extra susceptible Joel
As Joel and Ellie depart the cabin, one thing alarming occurs: Joel has some form of episode, maybe a panic assault, that finds him leaning towards a submit and clutching his chest. Ellie appears involved about him however within the second, she could also be extra apprehensive about herself. “Only a reminder that when you’re useless, I’m fucked,” she says. Within the recreation, Joel doesn’t appear vulnerable to points like this, typically seeming way more bodily succesful than most individuals of their mid-50s and solely ever showing bodily distressed when he’s severely injured (extra on that later).
This second works to make Joel appear extra human and susceptible to viewers, and to arrange a disaster of self-confidence that he tells his brother about later. It additionally reminds us of simply how a lot Ellie is counting on him to stay alive and succesful, because it crystallizes simply how a lot is at stake for Ellie later when Joel does discover himself in actual peril. For now, although, Joel quickly brushes it off, attributing the fleeting situation to “the chilly air unexpectedly,” and Ellie urges them onward of their quest to seek out Tommy and the Fireflies. “All we now have to do is cross the River of Dying,” she says.
Ellie the dream astronaut
The corresponding part of the sport is simply bursting with pure magnificence, as Joel and Ellie make their manner by way of a wet autumn panorama, following a rolling river. I missed {that a} bit within the extra spare however nonetheless putting winter landscapes we see Joel and Ellie traverse right here, quickly passing above what Ellie says is the River of Dying Marlon warned them about. They arrange camp, the place Joel wraps duct tape round his boots, a second that made me think about a recreation mechanic wherein you had to do that sometimes or Joel would begin taking injury from strolling round in sneakers that have been falling aside. It’s not precisely one thing that occurs within the recreation, nevertheless it is without doubt one of the present’s uncommon photographs of Joel utilizing scrounged provides as a useful resource.
Ellie’s standing on a close-by rock gazing on the northern lights, main Joel to say one of the dad-like issues he’s stated to Ellie up to now: “Come down from there, you’re gonna break your neck.” And after they share a swig from Joel’s flask (I like Ellie’s little “cheers” gesture earlier than she drinks), she poses a thought experiment: what are we gonna do if the treatment works? He pushes again on “we” so high-quality, she asks what he want to do. He says possibly get a ranch someplace—some land, some sheep.
Ellie’s acknowledged need is one she additionally voices within the recreation, and it explains her fascination with the starry sky: if issues have been totally different, she would have wished to be an astronaut. The present’s writers add a pleasant little bit of specificity to it, although, as she names a bunch of well-known astronauts she examine at school earlier than asking Joel if he is aware of who her favourite is. “Sally Experience,” he guesses appropriately. “Sally fuckin’ Experience,” she replies. “Greatest astronaut identify ever.” Completely.
Remembering Sam
Right here’s one other distinction between the sport and the present that highlights their totally different approaches to Joel, and by extension, the connection between Joel and Ellie. Dreaming of a greater world wherein her blood has made cordyceps a factor of the previous, her ideas flip to Sam, who she couldn’t save. “I attempted, with Sam,” she tells Joel, saying that she rubbed a few of her blood into Sam’s chunk, hoping it might save him. Joel offers house to her emotions and, desirous to say one thing supportive, tells Ellie that if Marlene says the Fireflies could make a treatment, they will do it.
Within the recreation, Ellie additionally brings up Sam, however Joel reacts very in a different way. You may detect a grave marked with a teddy bear, which prompts Ellie to say that she forgot to depart a toy robotic she’d picked up earlier on Sam’s grave. Joel shuts her down. Ellie protests that she desires to speak about it, which is essentially the most comprehensible factor on the earth. Joel forbids it, saying “Issues occur and we transfer on.” Ellie relents, saying “You’re proper, I’m sorry,” regardless that he’s not proper in any respect. It’s simply how Joel has coped with the struggling he’s endured, by not pondering or speaking about it in any respect.
I believe each dynamics work effectively for his or her respective mediums. Within the recreation, we’re left aching for Joel’s facade to crack a bit, for him to lastly begin displaying a bit of real compassion and tenderness to Ellie. Within the present, Joel’s hardly heat, however he’s at the very least much less fast to drive her to disclaim her personal emotions, which pulls us into their relationship differently: we’re beginning to see the chance for connection between them, which makes it that rather more painful later within the episode when Joel does shun Ellie.
Welcome to Jackson
Joel and Ellie press on, at one level overlooking a dam, the present’s manner of acknowledging the dam that performs prominently on this stretch of the sport. Ellie says “Dam!” to which Joel responds that she’s no Will Livingston, the author of her trusty ebook of puns.
Quickly they stroll previous one other river, at which level Ellie has an alarming thought: what if this is the River of Dying? And positive sufficient, no sooner does she voice this thought than they discover themselves surrounded by riders on horseback, holding them at gunpoint. There’s a harrowing second wherein a canine sniffs them each for indicators of an infection, and we don’t know if Ellie’s immunity additionally neutralizes any such indicators or if the pup is about to sink his enamel into her neck, however the second passes because the canine fortunately licks her face and he or she laughs. After Joel says that he’s on the lookout for his brother, a lady asks Joel his identify. It appears the identify Joel means one thing to her, as all of them promptly trip on horseback into the city of Jackson.
This can be a important departure from the sport, wherein the existence of Jackson is talked about, however Joel and Ellie don’t truly enter the city. As gamers, we don’t get a superb take a look at it till Half II. However right here, we get to see the settlement now, a spot the place many households stay a reasonably regular life within the post-cordyceps world. It’s fairly a sight, six episodes in, to see a road busy with foot site visitors in a spot the place youngsters frolic and individuals are working cooperatively. Among the many folks laboring on the road is Tommy, Joel’s brother, and the 2 share a heartfelt reunion. When Tommy asks what the fuck Joel is doing right here, he says “I got here right here to save lots of you,” earlier than laughing on the absurdity of Tommy needing saving.
“We’re communists”
Joel and Ellie wolf down a meal whereas Tommy and the lady, whose identify we study is Maria, look on. At one second, one other lady furtively appears at Ellie, till Ellie loudly says “What?!” and scares her off. I think about this was only a random Jackson resident, however I couldn’t assist however consider Dina, a personality who, within the second recreation, involves play an essential function in Ellie’s life. When Joel asks for a second alone with household, Tommy tells him that Maria is household. The extraordinarily unenthusiastic “congrats” that Joel ultimately affords up is without doubt one of the funnier moments within the collection.
Tommy and Maria give them a tour that covers the exposition bases, explaining how the city acquired began, how they keep protected from contaminated, and the way it capabilities day in and time out. “All the things you see in our city—greenhouses, livestock—all shared. Collective possession,” Tommy says. “So, uh, communism,” Joel says. “It ain’t like that,” Tommy refutes, however Maria corrects him. “It’s that. Actually. This can be a commune. We’re communists.” I admire the matter-of-factness of Maria’s assertion, and the depiction of communism as a system that, when utilized correctly, might be useful to all. That’s not one thing you see in media fairly often.
Joel and Tommy, reunited
In each the present and the sport, Joel and Tommy discover themselves with a while to privately catch up as Maria and Ellie additionally spend a little bit of time collectively. In each instances, tensions between the brothers run excessive, however there are some key variations as effectively.
Within the recreation, Joel’s acknowledged hope is that Tommy will take Ellie off his arms and ship her to his former Firefly buddies. Joel’s lack of Sarah is entrance and middle within the scene, as Tommy says he went again right down to Texas a while in the past and located a photograph of Joel and Sarah, which he affords to Joel. “I’m good,” Joel says, refusing the picture. The 2 get heated when Joel suggests Tommy owes him this favor for the issues he did to maintain them alive after the pandemic began, and Tommy replies that the horrendous issues they did weren’t price it, that each one he has from that point is nightmares. Their argument is interrupted by an assault of marauders earlier than something might be settled.
Within the present, quite than saying he desires Tommy to take Ellie off his arms, Joel says he desires Tommy to accompany him in delivering Ellie to the Fireflies. He lies to Tommy on a number of counts, each telling him that Tess is ok and that Ellie is the daughter of a high-ranking Firefly who he’s attempting to reunite along with her household. Right here, too, Joel tries to make use of the violence he dedicated years in the past as leverage. Tommy’s extra forgiving right here than his online game counterpart, however nonetheless stays ashamed of what they did. And as within the recreation, the reminiscence of Sarah is shut at hand, however not due to {a photograph}. Relatively, Tommy tells Joel that he can’t go along with him to the Firefly base in Colorado as a result of he’s going to be a father. When Tommy says “I really feel like I’d be a superb dad,” Joel, clearly deep in his personal emotions about Sarah, responds with a chilly “I suppose we’ll discover out.” Tommy doesn’t take it effectively, and says that simply because life stopped for Joel, that’s no purpose it has to cease for him.
As he heads out into the chilly, Joel as soon as once more clutches his chest and leans towards a pole for assist. He sees a lady close by who, from behind, bears a putting resemblance to Sarah, however after all it’s not her.
Ellie learns about Sarah
Within the recreation, we don’t witness the time Ellie and Maria spend collectively whereas Joel and Tommy are speaking, however we do later discover out that Maria tells Ellie about Sarah. Within the present, we see how this discovery takes place.
After having a shower and rising to seek out that Maria has left her new garments and a menstrual cup (which she finds each gross and amusing), Ellie heads throughout the road in the hunt for her. She enters Maria and Tommy’s home and sees names and dates written on a chalkboard marking the lives of two individuals who died younger: somebody named Kevin, who died on the age of three shortly after Outbreak Day, and somebody named Sarah, who died on Outbreak Day at 14.
Maria insists on giving Ellie’s hair a trim, and tells her that she’s at all times appreciated slicing hair. “Perhaps it was a mother factor,” she says, earlier than mentioning “the little memorial Tommy made” in the lounge. “I’m sorry about your youngsters,” Ellie says, and Maria says solely Kevin was hers, Sarah was Joel’s daughter. The heavy silence that follows tells Maria that Ellie didn’t know that earlier than.
“I suppose that explains him a bit of,” Ellie says. Maria, with a way of cool practicality and sure a wariness of Joel primarily based on the tales Tommy’s informed her, expresses concern about Ellie being with him, however the teen stays sometimes testy. “Tommy [killed people] too, are you apprehensive about him?” she asks. Maria says that Tommy was following Joel, “the best way you at the moment are,” seemingly seeing Joel as a nasty affect, somebody who pulls folks into his orbit and leaves hurt in his wake. “Watch out who you set your religion in,” she warns Ellie. “The one individuals who can betray us are those we belief.” Ellie clearly resents the recommendation and Maria’s mistrust of Joel, maybe as a result of she senses there’s good purpose for it and doesn’t wish to admit it to herself.
The Goodbye Lady
Within the city corridor, Ellie joins the opposite children at a screening of the 1977 movie The Goodbye Lady. (Jackson possible has a fairly restricted collection of movie reels available.) Nonetheless, regardless of the novelty of seeing an precise film projected on an precise display, Ellie stays distracted, paying extra consideration to Tommy and Maria speaking close by than to the wit of Neil Simon’s screenplay.
The present’s writers clearly didn’t decide The Goodbye Lady at random. The plot entails an actor, performed by Richard Dreyfuss, forming a reference to a dancer and her ten-year-old daughter. The girl has a historical past of being deserted by the boys in her life (therefore the title), and fears that the actor will do the identical. Ellie herself has a historical past of being left as we’ll quickly study, and her fears of being deserted by Joel are at a peak on this episode.
In the meantime, Joel is alone in a workshop, struggling to restore his boots and getting immensely annoyed. Tommy is available in with a peace providing of recent boots and an apology for his earlier conduct, saying “I do know you’re glad for me, it’s simply…it’s sophisticated for you.” Joel asks Tommy for extra particulars on whether or not the journey to the College of Japanese Colorado the place the Firefly base is situated is survivable, and eventually affords him the reality: Ellie is immune.
As he tells the story of his journey with Ellie up to now, he seems far more susceptible than the Joel of the sport ever does. No motion hero, he admits to being far much less able to recognizing and reacting to threats than he was once, and to typically being paralyzed by worry. “I’m not who I used to be. I’m weak,” he says, describing these moments the place “the worry comes up out of nowhere and my coronary heart feels prefer it’s stopped.” He’s haunted by desires he can’t keep in mind however that depart him with the sensation that he’s misplaced one thing.
The Joel of the sport additionally tries to cross Ellie off onto Tommy as a result of he’s afraid of the ache of emotional involvement, of probably shedding somebody once more, however he’s far more guarded about it. This Joel is extra overtly shaken, riddled with self-doubt and a crippling worry of failure. He appears to actually imagine, when he says “I’ve to depart her,” that it might be for Ellie’s personal good, that he’s incapable of being the individual she wants him to be. He presents it to Tommy as an opportunity to make up for the terrible issues they each did, “to convey your child into a greater world.” I believe it’s undoubtedly a extra emotionally persuasive enchantment than the one Joel makes within the recreation, the place Tommy simply appears to alter his thoughts and determine that taking Ellie on to Colorado is one thing he has to do.
When Tommy returns to the city corridor after talking with Joel, the look he offers Maria tells her every little thing, and the look she offers in response tells us every little thing about how she feels: That bastard Joel has executed it once more.
In the meantime, again on the ranch
And now we come to the scene which may be the emotional coronary heart of each the sport and the present, a vital turning level within the central relationship. Within the recreation, Ellie senses that Joel is abandoning her, steals a horse, and rides off to a close-by ranch. Joel and Tommy pursue her, and throughout the light normalcy of the outdated home, she and Joel have an argument that displays the disaster level of their relationship.
There’s no ranch right here within the present, however the home in Jackson they’re staying at affords the same backdrop of pre-pandemic life, and the dialog between them begins the identical manner, with Ellie studying an outdated diary and saying, “Is that this actually all they needed to fear about? Boys? Films? Deciding which shirt goes with which skirt?”
“If you happen to’re gonna ditch me, ditch me,” she says, telling him that she overheard a few of his dialog with Tommy within the workshop. And shortly, after asking him what he’s so afraid of, she says “I’m not her, you realize,” one other line straight from the sport and in some methods the emotional excavation of previous anguish that each the sport and the present have been constructing as much as all alongside. It’s a scene on which a lot hinges within the improvement of their relationship, and so it’s little shock that it’s recreated so faithfully right here.
In each instances, Ellie tells Joel that she’s sorry about his daughter however that she has misplaced folks too, and in each instances, he says “You haven’t any thought what loss is,” a fairly terrible (and incorrect) factor for him to say. And in each, she tells him that everybody she’s ever cared about has both died or left her, “everybody—fucking apart from you. So don’t inform me that I might be safer with another person as a result of the reality is that I might simply be extra scared.” Joel’s painful response: “You’re proper, you’re not my daughter, and I positive as hell ain’t your dad.” Each Joels say that quickly, they’re going their separate methods. Ellie’s a goodbye lady, all proper.
Ellie the human cargo
The subsequent morning, Tommy comes to gather Ellie, who sits with no show of emotion, her issues packed, ready to be carried alongside on her journey. It made me recall Joel’s remark to her in an earlier episode, “You’re cargo.” The sensation I acquired right here is that that is now how Ellie feels about herself: she’s a factor that must be taken to a spot for the nice of humanity, however as an individual there may be no one to whom she means something, no one who cares about her for her sake, just for what she may imply for humanity.
However after they get to the stables, Joel is saddling up one of many horses. He says he acquired there half-hour in the past with the intention of stealing the horse and being on his manner, however now, he’s determined Ellie deserves a alternative. “I nonetheless assume you’d be higher off with Tommy,” he begins to say earlier than Ellie cuts him off, shoves her stuff into his arms and says “Let’s go.” Within the recreation, Joel simply decides he’s persevering with on with Ellie. He says to Tommy that his spouse kinda scares him and he doesn’t need her coming after him, nevertheless it’s apparent that that’s simply one thing he’s saying, and that he’s determined that he belongs by Ellie’s aspect, for a bit of longer, at the very least.
Joel and Tommy share a hug, and as within the recreation, Tommy tells them that there’s a spot in Jackson for them.
To the College of Japanese Colorado
An amusing interlude finds Joel attempting to present Ellie a lesson in utilizing a sniper rifle. All her photographs miss and he or she’s satisfied the gun doesn’t purpose proper. As he talks about correct method, she asks him if he’s attempting to shoot the goal or get it pregnant. In fact, he hits the goal useless on, to which she says “You dick!” as he shrugs and smiles.
Joel additionally talks a bit about being a contractor. “The Contractor,” Ellie says in a deep voice, as if she’s imagining some form of construction-oriented superhero. “That’s fairly cool.” “Yeah, we have been cool. All people cherished contractors,” he says. After which, mirroring a dialog from the sport, we hear Joel explaining among the fundamental guidelines of soccer to Ellie.
As they discover the campus of the fictional College of Japanese Colorado, Joel volunteers that, greater than operating a sheep ranch, he wished to be a singer, however after all he refuses Ellie’s request that he sing one thing. (He admits this within the recreation as effectively, and with out going into specifics, I’ll say that it turns into greater than only a throwaway element later within the collection.) In one other second straight from the sport, a bunch of monkeys scurry away from them as they strategy and Ellie confirms that it’s her “first time seeing a monkey.” Quickly, although, the stillness of the campus begins to really feel ominous, and it’s clear issues aren’t fairly proper.
After discovering a map indicating that the Fireflies packed up and headed for Salt Lake Metropolis, they see a bunch of males prowling the campus and try to make their escape. However earlier than they will safely depart, a person assaults Joel with a baseball bat which breaks as he strikes a tree. Joel breaks the person’s neck, however within the battle, the sharp picket hilt of the bat will get caught in his stomach. Within the recreation, Joel is severely injured when he and an attacker go toppling over a railing and he will get impaled on a little bit of rebar, resulting in a sequence wherein Ellie should be Joel’s protector for a time, killing attackers as he limps weakly towards the horse. Even in his injured state, he’s nonetheless Joel, although. She says that if she will get him out of this, he actually owes her a track and he responds with a dry “You want.”
Quickly they’re safely freed from their attackers, however Joel falls off his horse and into the snow, and for the second at the very least, Ellie’s worst worry is realized, a worry she admitted to Sam on the finish of the earlier episode. Simply as the 2 appear to have come to some understanding about their significance to one another, he leaves her. “I can’t fucking do that with out you,” she says. “I don’t know the place the fuck I’m going or what the fuck I’m gonna do. Joel, please.” However she is alone, as a moody cowl of Depeche Mode’s “By no means Let Me Down Once more” performs, the track that ended the present’s first episode. That alternative, the moody cowl callback, struck me as a bit cliche, the present going by way of the motions of doing what we anticipate status TV to do, however on condition that a lot of this episode rang emotionally true, I suppose I’ll permit it.